Tuesday, June 07, 2011

Alexander Calder


Calder in his Paris studio, 14 Rue de la Colonie, fall 1931. Photograph by Marc Vaux

In 1970 AT&T purchased Jeune fille et sa suite 'Young Woman and Her Suitors', a Alexander Calder Stabile. Jeune fille et sa suite stood on the corner of Cass and Michigan avenues in Detroit from 1972-2006. In 2006 AT&T Donated the sculpture to the Detroit institute of the arts. After 2 years of conservation treatment the Sculpture has been reinstalled on the John R street side of the Detroit Institute of Arts.

Alexander Calder is one of my most influencial artist, whenever I see a mobile, it still amazes me to think that someone had to come up with the idea and it was Alexander Calders wonderful mind that did. Before the Stabiles and Mobiles, Calder travelled Paris Montparnasse and became friends with people like Miro, Arp and Duchamp. Upon the advice of a Serbian toy maker, Calder began to make figures from wire and cloth and this was the birth of Cirque Calder







images courtesy of the Wayne State University image collection
http://dlxs.lib.wayne.edu/cgi/i/image/image-idx?page=index;c=vmc

Monday, June 06, 2011

Urban Farming

In Requiem for Detroit they mentioned Detroit was a forerunner in urban Agriculture.

The Food and Agriculture Organization of the United Nations (FAO), has defined urban agriculture as:

“ [A]n industry that produces, processes and markets food and fuel, largely in response to the daily demand of consumers within a town, city, or metropolis, on land and water dispersed throughout the urban and peri-urban area, applying intensive production methods, using and reusing natural resources and urban wastes to yield a diversity of crops and livestock.

In my searching travels, I came across the organisations; Earthworks urban farm, the Capuchin Soup Kitchen and Gleaners Community Food Bank.

The Capuchin Soup kitchen was started in the depression of 1929, The Capuchins traditionally give food from their kitchen to all the needy who come to the monastery door, the need was so great in 1929, they recruited people to collect food from local farms and this began the Capuchin Soup Kitchen which still runs to this day.





The services provided by the Capuchin Soup Kitchen:

- 2,000 hot meals are frequently served each day
- About 300,000 pounds of food distributed per month to families
- About 30,000 articles of clothing given to per month
- More than 500 pieces of furniture and appliances given to families each month
- Showers and a change of clothing for up to 30 homeless and poorly housed persons per day
- Jefferson House, a substance abuse treatment program servicing up to 12 indigent men
- A children's library and art therapy studio serving up to 800 children per month
- A 25,000 square foot urban farm project

Earthworks Urban Farm



Earthworks urban farm was started in 1997 by Brother Rick Samyn, who felt the Capchin soup kitchen needed to start a community garden to help supply the soup kitchen, the first garden being on a small plot of land near the St Bonaventure Monastery. In 1999, the garden expanded onto lots at the new site for the Capuchin Soup Kitchen. After years of soil regeneration the farm planted its first crop in 2001. The success of the Earthworks expansion was the Soup Kitchen's collaboration with Gleaners Community Food Bank.

The food bank was started by Gene Gonya.

In 1977, Gene chose to leave the Jesuit Community and continue his mission of community service as a lay person of the Catholic Church. In April of 1977, he co-founded Gleaners Community Food Bank, renting the first floor of a warehouse on Detroit's near-eastside, a stone's throw from the Capuchin Soup Kitchen. The food bank was founded to solicit surplus food, store it safely, and distribute it to agencies that are the direct providers to the hungry of our communities. The food bank could now accept donations such as truckloads of produce from Gene's family farm and "bank" it for small or large organizations serving the community, since none of these service agencies could accept such large donations.



Images
1. Capuchin monks tending to the garden
2. Back of the St Bonaventure Monastery
3. Earthworks garden
4. Opening of the Gleaners Community Food Bank 1977

Links

Scott Hocking

Scott Hocking is an artist working out of Detroit, I first heard of Scott in the article Artist in residence published New York times Magazine; Fall 2010, written by Linda Yablonsky, She mentions Him along with other artists up and coming Detroit artists. Scott produces site-specific sculptural installations/photography projects.

From Scott Hockings ongoing documentary series

Bad Graffiti
2007- Current






Garden of the Gods
2009-2010







Thursday, June 02, 2011

Harry Houdini







In 1926 Harry Houdini preformed his last show at Detroit's Garrick theatre. The story goes; Harry Houdini was preforming in Montreal at the time, when a student J. Gordon Whitehead from McGill University, wanted to test Houdini's claim of being able to sustain, without injury, any blow delivered above the waist.

This is the scene described by fellow student, Jacques Price:

Houdini was reclining on his couch after his performance, having an art student sketch him. When Whitehead came in and asked if it was true that Houdini could take any blow to the stomach, Houdini replied groggily in the affirmative. In this instance, he was hit three times before Houdini could tighten up his stomach muscles to avoid serious injury. Whitehead reportedly continued hitting Houdini several more times and Houdini acted as though he were in some pain.


Unbeknownst to Price Houdini had been suffering from acute appendicitis for several days, Houdini being the consummate performer decided to continue to Detroit arriving at the Garrick theatre. With a fever of 104 ° he took to the stage, collapsing half way through the show but continued till the end.



Houdini passed away 1:26 p.m. in Room 401 of the Grace Hospital, on October 31, aged 52.

images
1. Original poster from Houdini's last show
2. Post card 1930s
3. Harry Houdini sparing with Jack Dempsey and Benny Leonard
4. Grace hospital post card circa 1907

The Beginning: Requiem for Detroit

BBC Documentary: Requiem For Detroit from Logan Siegel on Vimeo.

Requiem for Detroit Directed by Julien Temple


Last year in November, I came by chance, across the Documentary Requiem for Detroit, at the end of the program I made the decision I had to go there. The documentary was structured perfectly, using sourced footage and a wonderful array of Detroiters, who each and all were proud and positive about their city, Detroit was the fourth largest city in america in the 1950s. What happened to Detroit? Many thing happened, When Ford invented his Horseless carriage, his aim was to make his model T affordable for everyone. Ford was offering $5 wage which was double the going wage at the time, 10,000 people turned up at the factory door. A huge part of the workforce was black the majority coming from the south, mostly plantation workers. Ford divided the town Making Black Suburbs and white suburb such as Inkster and Dearborn. If a black family moved into a white area they were harassed until they finally had to move. Ford was a very smart/evil man he set the town up so as through certain tax breaks he siphoned all the money out of the city into his and others own private fiefdoms.

Under such oppression the black Community rose up it the 1942 and 1967 roits, the two largest riots in American History. This events triggered what was called the Great White flight, the white population moved into gated suburbs on the outskirts of the city. Leaving the city with no infrastructure, no funding and or maintenance. So crime and drug use became rampant. Detroit at one point becoming one of americas most dangerous city.

Towards the end of the film , the story beginns to change. Here is a quote from Temple in an article from the Guardian, March 2010.

With the breakdown of 20th-century civilisation, many Detroiters have discovered an exhilarating sense of starting over, building together a new cross-racial community sense of doing things, discarding the bankrupt rules of the past and taking direct control of their own lives. Still at the forefront of the American Dream, Detroit is fast becoming the first "post-American" city. And amid the ruins of the Motor City it is possible to find a first pioneer's map to the post-industrial future that awaits us all.

Article address
www.guardian.co.uk/film/2010/mar/10/detroit-motor-city-urban-decline